Resume

EDUCATION  M.F.A. Maryland Institute College of Art, Baltimore, Maryland, 1998
Painting/Mixed-Media Sculpture

SELECTED SOLO EXHIBITIONS

2012
Juan Logan: Without Stopping, paintings, brochure
Weatherspoon Museum of Art, Greensboro, North Carolina 
Juan Logan: Pleasure & Power, paintings, catalogue
Barton Art Galleries, Barton College, Wilson, North Carolina

2009             
Juan Logan: Leisure Space, mixed media, catalogue
Gantt Center for African American Arts and Culture, Charlotte, North Carolina 
Prop Master: An Installation by Juan Logan with Susan Harbage Page
Gibbes Museum of Art, Charleston, South Carolina

2007
Juan Logan: Notes and Observations, paintings, catalogue
Rocky Mount Arts Center at the Imperial Centre, North Carolina

2006             
Juan Logan: The Third Place, Paintings, Drawings and Sculptures 1996 – 2006, catalogue
Tweed Museum of Art, Duluth, Minnesota 
Juan Logan: Caught Off Guard, Selected Works from 1965-2005  paintings and works on paper,catalogue
Sturgis Gallery of Art, Kennesaw State University, Georgia

2005            
Juan Logan: Close Inspection, installations, catalogue
Sumter Gallery of Art, Sumter, South Carolina 
Juan Logan: Full Disclosure, paintings, sculpture, installations, catalogue
Greenville County Museum of Art, South Carolina

2003 
Juan Logan: Whose Song Shall I Sing?, paintings and sculpture, catalogue
City Gallery at Waterfront Park, Charleston, South Carolina

2002 
Juan Logan: Whose Song Shall I Sing?, painting s and sculpture, catalogue
Boulder Museum of Contemporary Art, Colorado
Juan Logan: Whose Song Shall I Sing?, sculpture
Michigan Avenue Galleries, Chicago Cultural Center, Illinois

2000 
Juan Logan: Other Considerations, prints
Trahern Gallery, Austin Peay State University, Clarksville, Tennessee 
Juan Logan: Unconscious Bias, sculpture, catalogue
Gallery of Art and Design, North Carolina State University, Raleigh 
Juan Logan: Reliquaries, sculpture
The World Bank, District of Columbia 
Juan Logan: A Selection of Prints From The 90s’
The Print Center, Philadelphia, Pennsylvania

1999
Juan Logan: Sculpture & Prints
Gomez Gallery, Baltimore, Maryland

1998 
Juan Logan: Standard Practices: Reliquaries for America, sculpture
Hodges Taylor Gallery, Charlotte, North Carolina             
Juan Logan: Ginned: An Installation, sculpture
Wellington B. Gray Gallery, Jenkins Fine Arts Center, East Carolina University, Greenville 
Juan Logan: Paintings
Gomez Gallery, Baltimore, Maryland
Juan Logan: Standard Practices: Reliquaries for America sculpture & linocuts, catalogue Landmark Gallery, Department of Art, Texas Tech University, Lubbock

1997 
Juan Logan: not separate and apart from, sculpture
St. Johns Museum of Art, Wilmington, North Carolina

1996 
Juan Logan: Paintings
June Kelly Gallery, New York, New York

1995
Effective Sight: The Paintings of Juan Logan, catalogue, traveling exhibition:(Supported by grants from the Lannan Foundation, Santa Fe, New Mexico, the  New York State Council for the Arts and the North Carolina Arts Council)
Green Hill Center for North Carolina Art, Greensboro, North Carolina, 1995
Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, 1996
Danville Museum of Art, Danville, Virginia, 1996, Censored
Halsey Gallery, College of Charleston, South Carolina, 1996
Winthrop University Galleries, Rock Hill, South Carolina, 1997
Asheville Art Museum, North Carolina, 1997
Howard University Art Gallery, District of Columbia, 1997
Museum of Art, North Carolina Central University, Durham, 1998


SELECTED GROUP EXHIBITIONS

2010 
The Narcissism of Minor Differences, Curated by Gerald Ross and Christopher Whittey
Decker and Meyerhoff Galleries, Maryland Institute, College of Art, Baltimore (Jane Alexander, William Anastasi, Jonathan Borofsky, Mary Coble, Patricia Cronin, Sam Durant, Melvin Edwards, Maria-Theresa Fernandes, Francisco de Goya, Leon Golub,  Philip Guston, Juan Logan, Stephen Marc, Jaune Quick-To-See-Smith, Rigo 23, Roee Rosen, Karina Aguilera Skvirsky) 
Mixing Metaphors: The Aesthetic, the Social, and the Political in African American Art
Guest Curator: Deborah Willis
Gallery of Art, Howard University, Washington, District of Columbia (Romare Bearden, Dawoud Bey, John Biggers, Sam Gilliam, Jacob Lawrence, Juan Logan, Whitfield Lovell, Julie Mehretu, Faith Ringgold, Robert Sengstaacke, Chuck Stewart, James VanDerZee, Lorna Simpson, Carrie Mae Weems, Fred Wilson, Ernest C. Withers, among others)
On the Mark: Contemporary Works on Paper, Curated by Ann Shafer
Baltimore Museum of Art, Maryland (Astrid Bowlby, Annabel Daou, Tara Donovan, Ann Hamilton, Ellsworth Kelly, Juan Logan, Vik Muniz, Gerhard Richter, Koo Kyung Sook)

2009 
Collected
McColl Center for Visual Arts, Charlotte, North Carolina
Selected works from the G.R. N’Namdi Gallery
G.R. N’Namdi Gallery, New York, New York
(Frank Bowling RA, Nanette Carter, Ed Clark, Gregory Coates, Herb Gentry, Sam Glliam, Rashid Johnson, Allie McGhee, Al Loving, Juan Logan, Alexis Peskine, Howardena Pindel)  
Kaleidoscope: Changing Views of the Permanent Collection
Cameron Art Museum, Wilmington, North Carolina,  
African American Currents: Contemporary Art from the Bank of America Collection 
40 Acres Art Galley, Sacramento, California 
Living African American Artists of North Carolina, catalogue
Greenville Museum of Art, North Carolina 
Selections from the Permanent Collection
Tweed Museum of Art, Duluth, Minnesota

2008 
Strength In Numbers: Artists Respond to Conflict
Sragow Gallery, New York, New York (Calvin Burnett, Elizabeth Catlett, Reginald Gammon, Jacob Lawrence, Juan Logan, Lorenzo Pace,   Moira Pernambuco, Howardena Pindell ,Clarissa Sligh, Vincent Smith, John Wilson) 
Scene In America: A Contemporary Look at the Black Male Image
Mint Museum of Art, Charlotte, North Carolina
Landscape of Slavery: The Plantation In American Art, catalogue, traveling exhibition
University of Virginia Art Museum, Charlottesville
Gibbes Art Museum, Charleston, South Carolina
Morris Museum of Art, Augusta, Georgia 
Art and Social Conscience: The Holocaust
Cameron Art Museum, Wilmington, North Carolina

2007 
Innovations: Recent Editions from the Brodsky Center
Rupert Ravens Contemporary, Newark, New Jersey
Glimpse
SACI Gallery (Studio Art Centers International), Florence, Italy
Dashangzi Art Festival
HuanTie International Arts Center, Beijing, China

2006
Unstitched, Unbound; Imprints for Change
Nathan Cummings Foundation, New York

2005
Shared Spaces, Curated by Joe Ford, Director of City Without Walls
Seton Hall University, Law School, South Orange, New Jersey 
Quickening
Museum of Contemporary Art, Tucson, Arizona
Noah’s Ark, catalogue
TsingHua University Art Gallery, Beijing, China
Homegrown: Southeast, catalogue
Southeastern Center for Contemporary Art, Winston-Salem, North Carolina 
First Beijing International Art Camp Open Exhibition, catalogue
Suojiacun Art Center, Beijing, China
Road in Sight, catalogue
Duke University, Durham, North Carolina
Palm Beach Contemporary
West Palm Beach, Florida

2004 
A History of Color
Greenville County Museum of Art, South Carolina 
Prevalence of Ritual
African American Museum of Nassau County, Hempstead, New York  
Art in the South: The Charleston Perspective
Gibbes Museum of Art, Charleston, South Carolina 
Sum Parts: From The Permanent Collection, Curated by Ana Vejzovic
Memphis Brooks Museum of Art, Memphis, Tennessee (Joseph Albers, Blythe Bohnen, Chuck Close, Jenny Holzer, Jasper Johns, Glen Ligon, Juan Logan, Ed Ruscha, S.M.S., Lorna Simpson, Frank Stella, Juergen Strunch, Jack Tworkov, Carrie Mae Weems and Andy Warhol)

2003 
The Felt Moment
Columbia Museum of Art, South Carolina 
Passing, catalogue
Mint Museum of Art, Charlotte, North Carolina 
New South, Old South, Somewhere in Between
Levine Museum of the New South, Charlotte, North Carolina 
Contemporary Western North Carolina: Works On Paper 
Asheville Museum of Art, North Carolina

2002             
Biennial Exhibition: On Paper, Collaborations in Print and Pulp, catalogue
Memphis College of Art, Tennessee 
ArtPalmBeach Modern & Contemporary Art Fair
West Palm Beach, Florida
A New Paradigm
 School 33 Art Center, Baltimore Maryland
Shadows & Silhouettes: The Dangerous Faces of Willie Cole and Juan Logan
Memphis College of Art, Tennessee             
Native Voices: New Jersey and Westward: The Rutgers Center for Innovative Print and Paper Fellowship Exhibition                                                    
Mason Gross School of the Arts Galleries, New Brunswick, New Jersey

2001 
Facing Each Other: Prints Concerning Identity from the Rutgers Center for Innovative Print and Paper
Painted Bride Art Center, Philadelphia, Pennsylvania 
Absence of Color
Philadelphia Museum of Art, Pennsylvania
Homegrown
Southeastern Center for Contemporary Art, Winston-Salem, North Carolina 
Visibilities: Recent Prints by Radcliffe Bailey, Hung Liu and Juan Logan, Tippy Stern Fine Art, Charleston, South Carolina

2000 
Absence of Color?  Sande Webster Gallery, Philadelphia, Pennsylvania
An Exuberant Bounty: Prints and Drawings by African Americans
Philadelphia Museum of Art, Pennsylvania 
Culture of Class:  Issues of Class in North American CultureDecker & Meyerhoff Galleries, Maryland Institute, College of Art Baltimore
Reliquaries for America, San Francisco Craft and Folk Art Museum, California

1999 
Mind and Eye: Works by Contemporary Maryland Artists
Government House, Annapolis, Maryland 
On Site/In Sight: A Drawing Exhibition
Maryland Art Place, Baltimore 
73rd Annual International Competition: Printmaking, catalogue
The Print Center, Philadelphia, Pennsylvania
Narratives In Print, catalogue
Evergreen House, The Johns Hopkins University, Baltimore, Maryland

1998 
Tredje Internationella Litografiska Symposiet, catalogueLitografiska Akademin, Tidaholm, Sweden 
New Prints Goya Girl Press, Baltimore, Maryland

1997
Charles Fambro and Juan Logan - Paintings, Prints and Collages
Waterloo Museum of Art, Iowa 
Kerek Zold/Circle Green, catalogue
Budapest Galeria, Budapest, Hungary

1996 
In Rare Form - Elizabeth Catlett & Juan Logan, catalogueAfro-American Cultural Center, Charlotte, North Carolina

1995
Bearing Witness, brochureSuburban Fine Arts Center, Highland Park, IllinoisNoyes Cultural Arts Center, Evanston, Illinois           
7 Recent Acquisitions
 Hammonds House Galleries, Atlanta, Georgia 
Civil Rights Now, Curated by Bruce Lineker, catalogue, traveling exhibition,
Southeastern Center for Contemporary Art, Winston-Salem, North Carolina
Cleveland Center for Contemporary Art, Ohio
Institute for Contemporary Art, University of Pennsylvania, Philadelphia
Parrish Art Museum. Southhampton, New York
(Luis Cruz Azaceta, Gerda Meyer Bernstein, Nayland Blake, William Christenberry, Thornton Dail,  Melvin Edwards, Leon Golub, Felix Gonzalez-Torres, David Hammons, Lonnie Holley, Barbara Kruger, Cary  Leibowitz, Zoe Leonard, Juan Logan, Daniel J. Martinez, Wlilie Middlebrook, Adrian Piper, Catherine Saalfield, Collier Schorr, Joyce Scott, Andres Serrano, Lorna Simpson, Herbert Singleton, Nancy Spero, May Sun, Danny Tisdale, Carrie Mae Weems, David Wojnarowicz)


SELECTED PUBLIC COLLECTIONS 

Ackland Art Museum, University of North Carolina at Chapel Hill
Aljira, A Center for Contemporary Art, Newark, New Jersey
Art in Embassies Program, Lome, Togo
Art in Embassies Program, Pretoria, South Africa
Asheville Art Museum, North Carolina
Atlanta Fulton Public Library, Atlanta, Georgia
Baltimore Museum of Art, Maryland
Boulder Museum of Contemporary Art, Colorado
Cameron Art Museum, Wilmington, North Carolina
City of Belmont, North Carolina
City of Charlotte, North Carolina
City of Durham, North Carolina
City of Winston-Salem, North Carolina
Crocker Art Museum, Sacramento, California
Davidson College, North Carolina
Fine Arts Center, School District of Greenville County, Greenville, South Carolina
Gantt Center for African American Art and Culture, Charlotte, North Carolina
Gaston County Museum of Art and History, Dallas, North Carolina
Gibbes Museum of Art, Charleston, South Carolina
Greenville County Museum of Art, Greenville, South Carolina
Hammonds House Galleries, Atlanta, Georgia
Henry Copeland Art Collection, University of North Carolina at Chapel Hill
International Arts and Artists, Washington, District of Columbia
Johnson C. Smith University, Charlotte, North Carolina
Johns Hopkins University, Weinberg Building, Baltimore, Maryland
John Michael Kohler Art Center, Sheboygan, Wisconsin
Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois
Memphis Brooks Museum of Art, Tennessee
Mint Museum of Art, Charlotte, North Carolina
Mint Museum of Craft & Design, Charlotte, North Carolina
Morris Museum of Art, Augusta, Georgia
Museum of African-American Art, Los Angeles, California
Museum of Art, North Carolina Central University, Durham
National Gallery, Harare, Zimbabwe
National Museum of African Art, District of Columbia
North Carolina Arts Council, Artworks for State Buildings, Raleigh, North Carolina
North Carolina A & T State University, Greensboro
Philadelphia Museum of Art, Pennsylvania
Robbins Center for Cross Cultural Communications, Washington, District of Columbia
School of Law, University of North Carolina at Chapel Hill
Southeast Arkansas Arts and Science Center, Pine Bluff
Spirit Square Center for Arts and Education, Charlotte, North Carolina
The New York Public Library, New York
Tubman African American Museum, Macon, Georgia
Tweed Museum of Art, Duluth, Minnesota
Weatherspoon Art Museum, Greensboro, North Carolina
Whitney Museum of American Art, New York, New York
Winston-Salem State University, North Carolina
Jane Voorhees Zimmerli Museum of Art, Rutgers, The State University of New Jersey, New Brunswick


SELECTED CORPORATE COLLECTIONS

Adaron Development Group, Inc., Research Triangle Park, North Carolina
Ariel Capital Management, Inc., Chicago, Illinois
Bank of America, Charlotte, North CarolinaBell South, Atlanta, Georgia
Blue Cross of Greater Philadelphia, Pennsylvania
Branch Banking and Trust, Charlotte, North Carolina
British Airways, Chicago, Illinois
Carney & Brothers Ltd., Chicago, Illinois
D. C. May Company, Durham, North Carolina
First Union National Bank, Greensboro, North Carolina
Glaxo Incorporated, Research Triangle Park, North Carolina
Guest Quarters Hotel, Charlotte, North Carolina
Hyatt Dorado Beach Hotel, Dorado, Puerto Rico
Hyatt House of Winston-Salem, North Carolina
Kaiser Permanente, Raleigh, North Carolina
Kohler Company, Kohler, Wisconsin
Johnson & Johnson Corporate Headquarters Collection, New Brunswick, New Jersey
LCI Corporation, Charlotte, North Carolina
Lincoln National Insurance, Fort Wayne, Indiana
Litho Industries/Amplith Corporation, Raleigh, North Carolina
McKinsey and Company, Charlotte, North Carolina
Mutual Savings and Loan, Durham, North Carolina
Pepsi-Cola Bottling Company, Charlotte, North Carolina
Poyner & Spruill, Raleigh, North Carolina
Radisson Plaza Hotel, Nashville, Tennessee
Saks Fifth Avenue, Troy, Michigan
Smith Helms Mulliss and Moore, Charlotte, North Carolina
Sutherland, Asbill and Brennan, Atlanta, Georgia
Swiss Hotel, Atlanta, Georgia
The Thompson Agency, Charlotte, North Carolina


SELECTED PUBLIC AND CORPORATE COMMISSIONS

Lynx Blue Line Light Rail System, Old Concord Station, 2010-2016 Charlotte Area Transit Systems (CATS), Charlotte, North Carolina

“North Carolina Freedom Monument”, 2006-2012 (granite, bluestone, water, plant material (200’ x 290’) Raleigh, North Carolina

“Grounded Here” 2010 (granite, sandstone, plant material, 1.5’ x 15’ x 18’) Warnersville/Ashe Street Project, Action Greensboro, North Carolina

“Horizon Line”, 2009, (Two LED lighting installations, each - 8’ x 32’) Raleigh Arts Commission, City Plaza, Raleigh North Carolina

“Intersections”, 2008-2009 (granite, plant material, 30’ x 30’) Gantt Center for African American Arts and Culture, Charlotte, North Carolina

“Elements of Time”, 2001, (mosaic sculpture, 1.5’ x 24’ x 24’), Hillside Park, City of Durham, North Carolina

“Choose Your Destiny”, 1998 (mural, 8’x 16’ acrylic on duraply), Green Fair Manor Housing Program, Lubbock, Texas

“Home”, 1998  (mural, 4’ x 10’, acrylic on canvas), Gaston County Courthouse,Gastonia, North Carolina

“The Seed”, 1997 (sculpture, 11.5’ x 7.75’ x 3.5’, stainless steel), Biomedical/Biotechnology Center, North Carolina Central University, (North Carolina Arts Council, Art Works for State Buildings)

“The Journey”, 1996 (twelve color screen print, 29” x 35 3/4”, edition of 25), Charlotte Chamber of Commerce, North Carolina

“Roads Home”, 1996 ( two wall mounted sculptures, each  8’ x 14.5’ x 4’, stainless steel), Charlotte Transportation Center, North Carolina (Project funded by Bank of America)

“Pillar of Enlightenment”, 1995 (sculpture, 8’ x 16’ x 6’, steel and stainless steel), Gaston County Public Library, Gastonia, North Carolina


BIBLIOGRAPHY
 SELECTED BOOKS, CATALOGUES, ARTICLES AND PERIODICALS

Ater, Renee. Slavery and It’s Memory In Public Monuments, Chicago Journals-American Art, Volume 24, Number 1 (Spring 2010) DOI: 10.1086/652738

Becker, Howard S., Faulkner, Robert R., and Kirshenblatt-Gimblett, Barbara. (Editors) Art from Start to Finish: Jazz, Painting, Writing, and Other Improvisations.Chicago and London: The University of Chicago Press, 2006. (ISBN: 0226040852)

Bloom, Ken & Cassel, Valerie  Juan Logan: Whose Song Shall I Sing?, Boulder Museum of Contemporary Art, Colorado, 2002.

Bloom, Ken.  STANDARD PRACTICES: Reliquaries for America,  Landmark Gallery, Texas Tech University, Lubbock, Texas, 1998.

Bloom, Ken.  Earthly Bounds: Environment as Metaphor, The Light Factory, Charlotte, North Carolina, 1988.

Bontemps, Arna Alexander. (Editor). Choosing: An Exhibit of Changing Perspectives in Modern Art and Art Criticism By Black Americans, 1925-1985, Museum Press, Inc., Washington, District of Columbia, 1985.

Britton, Crystal A.  African American Art, The Long Struggle.  Smithmark Publishers, New York, 1996, September 30, 2005. (ISBN: 1597641057)

Curnow, Kathy. Juan Logan: Notes and Observations The Arts Center at the Imperial Centre, Rocky Mount, North Carolina: 2007. (ISBN: 978-0-9794306-0-2)

Curnow, Kathy. Juan Logan: The Third Place - Painting, Drawings and Sculpture 1996-2006. Duluth: Tweed Museum of Art, 2006. (ISBN: 1-889523-33-X)

Fambro, Charles.  Painting the Black Experience, Springfield Art Association, Illinois, 1992.
Fredrickson, Laurel. Unintended Relations, Dalton Downtown Arts Initiative, Rock Hill, South Carolina, 2008

Hall, G.K. Index to Black Periodicals, 1985. MacMillan Publishing Company, England, Wales, 1988. (ISBN-10: 0816104654)  (ISBN-13: 978-0816104659)

Hand, Oscar DePriest & Sykes, Julia Neal.  Footprints on the Rough Side of the Mountain. Winston-Salem: Josten Graphics, Incorporated, 1997.

Hanzal, Carla.  Passing, Mint Museum of Art, Charlotte, North Carolina: 2003.

Harris, Michael D. Colored Pictures: Race and Visual Representation. University of North Carolina Press, 2002. (ISBN: 0807827606)

Harris, Michael D. Image of America: African American Voices. Walton Art Center, Fayetteville, 2004. (ISBN: 0-9744314-0-0)

Harris, Michael D.  Juan Logan: Unconscious Bias, Gallery of Art & Design, North Carolina State University, Raleigh, 2000.

Igoe, James and Igoe, Lynn Moody. 250 Years of Afro-American Art: An Annotated Bibliography. R R. Bowker Company, New York, 1976, November 1981. (ISBN: 0835213765)

Jones, Kellie.  Juan Logan: Paintings and Drawings, Gaston County Museum of Art and History, Dallas, 1986

King-Hammond, Leslie.  Effective Sight: The Paintings of Juan Logan, Green Hill Center for North Carolina Art. Greensboro, 1995. (ISBN: 0964823403)

Leach, Mark.  ART Currents 15, “Juan Logan/ Tuckers Grove,” Mint Museum of Art, Charlotte, 1994.

Lewis, Samella. Art: African American.  Harcourt, Brace & Javanovich, New York, 1976, Hancraft Studios, June 1980. (ISBN: 0941248089)

Lewis, Samella. African American Art and Artists. University of California Press, Berkeley, Los Angeles, London, 1990. Revised and Expanded Edition, March 18, 2003. (ISBN: 0520239350)

Lineker, Bruce. Civil Rights Now. Southeastern Center for Contemporary Art, Winston-Salem, 1995.(Library of Congress Catalog Card Number 95-69097) (ISBN: 0-9611560-7-4

Mack, Angela D. and Hoffius, Steven G. (Editors), Landscape of Slavery: The Plantation in American Art. University of South Carolina Press, 2008. (ISBN-10: 1570037205) (ISBN-13: 978-1570037207)

Miller, Lauren and West, Jessica. Road In Sight: Contemporary Art In North Carolina. Duke University, Durham, 2005 (ISBN: 0-9767496-0-2)

MacNeil, Robert. Artists Communities: A Directory of Residencies that Offer time and Space for Creativity. Alliance of Artists Communities, Allworth Press; 3 edition (April 1, 2005)(ISBN-10: 1581154046)  (ISBN-13: 978-1581154047) 
 
Opitz, Glenn B. (Editor) Dictionary of American Sculptors: 18th Century to the present. Apollo Books, Poughkeepsie, 1984 (ISBN-10: 0938290037, ISBN-13: 978-0938290032)

Robertson, Jack. Twentieth-Century Artists on Art. An Index to Artists' Writings, Statements, and Interviews. Boston: G.K. Hall, 1985, MacMillian Publishing Company. 2nd edition (April 1996). (ISBN-10: 0816190593) and (ISBN-13: 978-0816190591)

Sexsmith, Dennis.  Shadows & Silhouettes, The Dangerous Faces of Willie Cole and Juan Logan, Memphis College of Art, Memphis, 2002. 

J  Turner,Jane. The Dictionary of Art, Grove: Oxford University Press, USA, 1996. (ISBN-10: 1884446000)  (ISBN-13: 978-1884446009)

Williams, Lyneise. Juan Logan:  Full Disclosure, Greenville County Museum of Art,Greenville, 2005. (ISBN: 0-9603246-9-0)

Williams, Lyneise. Juan Logan: Close Inspection, Sumter Gallery of Art, Sumter, 2005.
(ISBN: 0-9774195-0-9)

Williams, Lynesie. Juan Logan: Caught Off Guard, Sturgis Art Gallery, Kennesaw State University, Georgia, 2006. (ISBN: 0-9777179-1-7)

Xue-Wu, Xheng. (Editor in Chief) Beijing International Art Camp, Suojiacun Art Center, Beijing, 2005.

Xue-Wu, Xheng. (Editor) Noah’s Ark, TsingHua University Art Gallery, Beijing, 2005.

Yockey, Ross.  Between Two Rivers:  The Centennial of Belmont. North Carolina. Sally Hill McMillan and Associates. Charlotte, 1996. (ISBN: 096336431)